Tag Archives: video

What makes Vine so good, and will it last?

Twitter’s recently launched new app, Vine is the latest in ‘brevity sharing’. While Twitter’s micro-blogging service is restricted to 140 characters, Vine’s video platform is limited to six seconds of looping video. The video can be recorded in one hit or in several bursts to create stop-motion and animation short stories.

I prefer text. I’ve already made this confession on a previous post, ‘Why written content is not dead (but video is awesome)’. In it I stated that video is indeed awesome – there are fantastic films, ads and other breeds of moving pictures that educate, entertain, enlighten, inform and move us in ways that a page of words cannot, but I love a good page of cleverly compiled words. Sometimes, it’s patience that gets the best of me. Even a short (say, 3 minute) introductory video about a product or idea takes time to watch, whereas I can choose how long I scan a page of text for. There’s also the aspect of convenience and usability with video taking longer to load than a static page of copy.

So why do I really like Vine? Five main reasons:
1) It’s simple to use
2) It creates video, but at 6 seconds, an easily digestible amount of video
3) It’s shareable
4) It demands creativity
5) It has a huge amount of marketing potential

For those who haven’t seen what Vine does yet, here’s my first Vine creation:

Why Vine is so good

  • There is no editing or filter option – it’s raw and demands the talents of a storyteller, not just someone who can make things look pretty.
  • The interface is intuitive and simple to use.
  • The ‘Explore’ function is solid. Users can quickly search for other Vines under ‘Editor’s Picks’, ‘Popular Now’ and a selection of twelve hashtag categories including #cute, #pets, #travel, #remake, #food, #howto and #sports
  • Vine videos are immediately shareable on Vine, Twitter and Facebook as well as being easy to embed into blog posts. They can also be shared solely on Vine, Twitter or Facebook, or all at once.
  • Six seconds is ideal for short attention spans.
  • The potential for marketing and advertising is huge. Industries like travel, food & beverage, bars & restaurants, real estate, dating, beauty, film and theatre are naturally suited. Freelancers such as artists, photographers, musicians, music teachers, make-up artists, hairdressers and chefs will be able to get amazing messages across, too. With the constantly and increasingly rapidly changing landscape of advertising media, here is a tool that brands can use to share short, snappy messages with their consumers, for free. (For now).

But, will it last? What are the challenges?

Yes, Vine will last, but I don’t believe that it’ll be mainstream. It’ll be used effectively by certain industries and by creative minds, but there will be challenges.

  • It’s still very buggy. This needs to be sorted quickly to better secure an engaged set of users.
  • Lack of quality and creativity are threats to its usage – Vine will need to weed out all the crap and highlight the awesome videos.
  • The censoring of inappropriate content is a challenge. Porn has already posed as a problem to Vine, as it has with sexually explicit images on Instagram and text on Twitter.
  • Are hashtags enough? The ‘Explore’ categories are useful, but are they tailored enough to create a unique, relevant experience for the user? Not in my opinion.

Despite its challenges, I’m looking forward to seeing what’s produced with Vine…..the highlights of a destination, the before and after shots of a make-up artist in action, the freshly baked bread from a bakery, the ambience of a Surry Hills bar at 10pm on a Friday night….I want to see it all.

What are your thoughts on Vine’s potential? 

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Why written content is not dead (but video is awesome)

A few weeks ago I attended a Sydney Business Month presentation titled ‘Video Killed the Written Website’. It was run by Claire Stretch, Producer, and Brendon Stretch, Creative Director of Filmstretch. Claire and Brendon specialise in video production. Their presentation was very good and the insights they shared valuable. They shared great ads such as DollarShaveClub.com’s comical ‘Our Blades are F***ing Great’,

Nike’s compelling ‘Find Your Greatness’,

and the odd but attention-holding American DirectTV ad, ‘Don’t Have a Grandson with a Dog Collar’.

They showed us how the art of film has evolved over time, and just how much can be going on behind the scenes of films. Just check out the final scene of Hugo to get an idea:

By the end of the session we had an understanding of how much work is involved in all phases of video creation and digital post-production.

I’m not here to argue that video isn’t brilliant – when executed well. In an age of digital ADD, video is critical in engaging audiences. From advertisements to film, video educates, entertains, enlightens, informs and moves us in ways that a page of words cannot.

There are people (like me), however, who still enjoy reading a well-written article. Sometimes when I follow the link on a tweet I’m disappointed that I’m being taken to a video instead of a concise and smart piece of writing. I like the puns, the innuendo, the big words, the flow. I value the effort that has gone into creating a piece that makes me laugh, cry, learn, or just keeps me glued to the screen.

Sometimes, Internet services aren’t always fast enough for video. Also, not everyone has mastered the art of video, or has the budget to do it well. Great words coupled with relevant images or infographics can capture attention and inform adequately in many situations.

The crux: In many instances, video isn’t an option and many people still appreciate clever, entertaining and/or compelling written content that has been carefully crafted.

Yes – crappy written content is most certainly dead, but excellent, relevant, timely, useful written content is not.

 

Some pieces of writing that have held my attention lately:

This simple yet warming blog post about rice on The Patterned Plate

This recent post by a straight man about how he was ‘defriended’ over the wedding of his gay brother

Aleksandar Hemon’s gripping and devastating piece about his daughter’s plight with a brain tumour on The New Yorker

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